‘...the allegiance of dancers and spectators to one music and dance sensibility or another serves as a specific means of representing, and even reconstructing, their cultural identity in relation to, or even as resistance to, the dominant cultural formation. Moreover, this struggle against presumed cultural intrusion by perceived “outside” influences has profound and disturbing socio-political effects […] this project has caused me to consider further the implications of tradition versus innovation and of authenticity in the context of spaces of affects and becomings.'
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